The Xbox has been hurting when it comes to exclusive games while the Playstation 4 and Nintendo Switch have been busy putting out strong titles that could only be played on their respective platforms. Gears of War 4 should have been the return of one of Xbox’s biggest franchises, but The Coalition were put in a difficult position having to take over something with such a strong legacy. What they created was good. It wasn’t great, though. It didn’t match the original trilogy. Now The Coalition are back and they’ve tossed away the “of War” part. Gears 5 is looking to bring the series back properly.
Although it’s a massive cliche to say so, playing Decay of Logos was a rollercoaster ride of emotions. The thing about a rollercoaster, though, is that you have to go up as much as you go down. Things must balance out. Decay of Logos, however, was like a rollercoaster that somehow defied the very laws of physics by having a lot more down than it did up. It’s easily the most annoying and downright infuriating game I’ve played this year. At one point I spent nearly 30-minutes yelling at an Elk, calling it all sorts of horrific names. I finished the game eventually, but I’m not sure if it was worth it.
When it comes to monitors if you have the cash then you can pretty much have it all, but at the lower end of the scale it becomes a case of picking and choosing what you really want. Do you desire those extra pixels? Or do you favour a high refresh rate? A fast response time, or vibrant colours capable of searing your eyeballs? In this case Cello, who have begun bringing their products to the UK, reckon you might like as many frames per second as you can handle and 32″ of screen to go with it. Let’s check out the snappily named Cello W3203SH
Gibbous – A Cthulhu Adventure is another of those Kickstarter success stories that I love to hear about. It was Kickstarted back in 2016 and developed by a small team of three people from Transylvania, and is yet another example of how not every game needs to be aimed at the broadest audience possible. Gibbous knows what it is and who its for. But is it actually any good?
The history of Remedy starts waaaaay back in the days of slow motion diving. Yes, I’m talking about the Max Payne games which I first experienced at the tender age of way too young to be playing them. But thanks to my dad play them I did, and while I didn’t understand a word of what was going on I did understand the special magic that Remedy had created. Since then the company hasn’t lost its flair for creating unique things: just look at Alan Wake and Quantum Dream. They’ve struggled to release a big hit, though. Alan Wake did okay but never well enough to get a sequel, and Quantum Dream just sort of vanished into the ether. But Control could be different. This could be the big one.
I really love the idea behind games like Wolfenstein: Youngblood. Cheaper, smaller offshoots of the main series that let the developers play around with some ideas without having to create something quite so vast. Taken in that context, though, reviewing this smaller projects can be difficult because just how much should they be compared to their main series counterparts? Wolfenstein: Youngblood, after all, does do a lot different: new lead characters, co-op gameplay, RPG mechanics and a second developer in the form of Arkane, the folk responsible for Dishonored. There’s a lot to talk about, so let’s jump into it.
Space, the final frontier. These are the voyages of the Starship Butt Stallion. Its continuing mission to explore strange new worlds filled with potentially lucrative minerals, to seek out new life that can be conned out of some cash and new civilizations filled with new ways to earn a living, to boldly go where no one has gone before and blow everything up. Welcome to Rebel Galaxy Outlaw, it’s a bloody space jungle out there.
The human race can be a confusing species indeed. We merrily build powerful trucks designed to transport lots of cargo, and then for some reason decide to go racing with them, despite the fact that we also build incredible cars and bikes designed specifically to race. These trucks are so completely unsuitable for racing that their brakes literally attempt to self-destruct, and yet race them we do. Because humans are bloody stupid. We’re the same species that create energy drinks, slap on a warning that they shouldn’t be mixed with alcohol and then proceed to mix them with alkanol anyway. It’s a wonder we’ve actually made it this far. And that brings us to FIA European Truck Racing Championship, the officially licensed game of the real-life sport of racing things that shouldn’t be raced.
The Oculus Rift S is not the next big Rift that we’ve all been waiting for, and Oculus themselves have been careful not to advertise it as one. No, the Oculus Rift S is…uh. Honestly, the problem is I don’t think anyone is sure what the S actually is. It isn’t an upgrade nor arguably even a refinement as many of the improvements have come at the expense of other features. So, let’s review the Oculus Rift S and try to figure who this VR headset is really for.
With the rise of VR headsets there’s been a whole new industry for accessories appeared almost overnight, from prescription lenses to fancy gun stocks, both of which I’ll be reviewing shortly. Today I’m checking out the Mamut Touch Grips for the Oculus Rift, Oculus Rift S and Oculus Quest. These little bits of plastic aim to bring the Oculus Rift controllers more inline with Valve’s new Index Knuckle controllers. In other words, the Mamut Touch Grips allow you to let go of the controllers entirely.