At the start of the year I made a resolution to review some heavier, deeper boardgames during 2017. Having played through all four eras of The Colonists in a single sitting, though, I’m beginning to regret that decision. This is no small game; in comes in a sizable box that doesn’t have any form of insert, just a whole lot of cardboard tokens and a pile of plastic bags to store it all in. The whole thing weighs over 3KG, takes up most of an average kitchen table and playing through the entire game can take up to eight hours. And oh man does it make my head hurt.
Well, look at you, Ubisoft, giving us some original titles and acting like a grown up game development company trying to do original things. Sort of. It wasn’t that long ago Ubisoft took an interesting chance with Rainbow Six: Seige, a highly tactical, slow-paced shooter that has managed […]
Routers are odd little creatures, aren’t they? They sit on shelves or behind computers or sometimes on the floor, constantly working to provide us with the stable wireless connection that our fast-paced, always connected lifestyle demands. They are so very easy to forget about, especially since Internet service providers typically hand you a cheap one when you sign up which gets plugged in and never touched by the average user. But a good router can be a solid investment.
There is a type beauty to be found in so many of the huge, sprawling boardgames on the market, a type of beauty that exists within the majesty of chaos. Right now I’m playing The Colonists, a massive game that can take anywhere up to eight hours to play through all of its four eras , weighs over 3KGs and has piles of resource tokens and tiles and wooden pieces. It’s dauntingly vast, a game that sucks up brainpower and spits it out like a particularly horrid brussel sprout. There’s beauty in its webs of rules, though, in the same way I find beauty in other huge games with complex rules and systems that take hours and hours to learn. I’m looking at you Arkham Horror and your myriad of fiddly mechanics.
One of the earliest board games I reviewed when I started getting into the hobby was Arkham Horror, a gigantic, fiddly game of Lovecraftian horror and table devouring. I loved it then, and while I’d probably pick it apart much more now due to having a bit more experience I love it regardless because of its absurdity. Still, it’s a difficult game to actually play because it takes up the whole damn table, takes a while to finish and the myriad of cards, tokens and other assorted nonsense tend to put a lot of people off. On the other end of the scale lies Elder Sign, another I love that takes the Arkham theme and pummels it into some dice and cards. Now Fantasy Flight Games have decided to compress all that Lovecraft horror into another small game, a card game. A living card game. Whatever the hell that means.
Sniper Elite III was a wonderfully pleasant surprise for me. Having never played the prior two games I leapt into the series and was soon shooting Nazis in the testicles with terrifying accuracy. It was rough around the edges, yet somehow incredibly good fun. I’ve been rather looking forward to this sequel, then. Aside from decimating more groins, what does Sniper Elite 4 have to offer?
One of the most famous stage illusions of all time is that of cutting a person in half, seemingly sawing or slicing straight through their body, only for them to survive the ordeal and then be put back together. The key, of course, is that the audience never gets to really take a good look at the trick because if they did it would so obviously be nothing more than a fallacy. Indeed, we know it is. We willingly suspend our own disbelief, such is the magic of magic. Trickerion puts you into the shoes of a stage magician hiring his crew, honing his craft, building his tricks and then performing them on stage in order to become famous. So let’s cut this sizable game in half, shall we, but unlike the real trick we’re going to take a long, hard look at exactly how it’s done.