Journey to the Savage Planet immediately conjures images of those classic, bonkers films where a spaceman finds himself facing down alien monsters on a strange planet. It sounds like a B-movie, which is fitting because Journey to the Savage Planet is a B game; it doesn’t have a big budget or a huge development team or even a full asking price. But that doesn’t stop it from being a good time
Frostpunk wasn’t just a great strategy game that demanded all of your concentration, it was also an interesting journey down the rabbit hole of good intentions. As you attempted to supply enough coal to keep a massive generator running to supply heat to your population the pressure made it all too easy to begin taking desperate measures: recycling corpses, child labour, propaganda and controlled religion are all tools that can be used to keep your society running. It was a game that fascinated me, so much so that I gave it a glowing review and a place in my top games of 2018.
SCUF have earned themselves quite a good reputation for building custom controllers over the years. Venture onto their website and you can choose from a variety of pre-made designs that can then be further tweaked in a bunch of different ways. But the most appealing part of SCUF controllers are the extra features that come with them, from digital buttons to special hair triggers. So today I’m taking a look at one of their offerings, the SCUF Syndicate for PS4.
The sniping franchise returns having somehow managed to find a way to tack yet another word to its already clumsy name. Sniper Ghost Warrior: Contracts is the 4th entry in the Ghost Warrior sub-series but this time it’s a budget release, retailing for £25 on Steam and thus […]
Seeing so many amazing older games get resurrected through remasters brings me a lot of joy. It means awesome games like Crash Team Racing and the original Spyro trilogy can be experienced by a new generation, and relived in glorious HD by those who played them by in the day. And so many of these older titles still play great even today, the recent remaster of Link’s Awakening being a good example. But I admit I never even once imagined that MediEvil would get a remaster. Like a lot of other fine folk my first experience with MediEvil was from a demo disc that came with an issue of Playstation Magazine. I loved it and spent dozens of hours on the demo alone, but the MediEvil never really managed to cement itself in the annals of history. Yet here we are with a remastered version on PS4. Talk about a pleasant surprise.
It has been six years since Luigi’s Mansion 2 arrived on the Nintendo 3DS and a massive eighteen years since the original game debuted. Nobody could ever accuse Nintendo of rushing the series, then. But with time comes a growing sense of expectation, a pressure for the new game to do well. Luigi’s Mansion 3 has been a long time coming, so has it been worth the lengthy wait?
As amazing as VR is and can be I think we’ve all been waiting for something truly substantial, a properly big game to sink our teeth into for hours on end rather than the short experiences we’ve been getting. That’s what Asgard’s Wrath has got going for it, a huge campaign that spans around 30-hours that you can easily get lost in, provided you can handle long periods in VR. It’s a hack and slash romp through Norse mythology featuring Gods, swords, bows, puzzles, side-quests, beautiful scenery and a high-fiving shark.
Back in the dark days of 2007 Call of Duty: Modern Warfare launched and became one of the most important games in history, it’s great singleplayer and addictive multiplayer laying the foundations on which the shooter genre would build itself upon for years to come. Whether or not you think the industry’s fascination with Modern Warfare was a good thing or a bad thing is obviously up for debate, but the point was Modern Warfare was special.
Plants vs Zombies: Garden Warfare and its sequel were both games that I spent a lot of time playing, their cutesy visuals and fun multiplayer shooting acting as a great alternative to the more serious Call of Dutys and Battlefields of the world. But a third game never appeared, and Plants vs Zombies sort of faded away, its days as a multiplayer shooter nearly forgotten. Until now, that is. Plants vs Zombies: Battle for Neighborville may not have the Garden Warfare name but it’s most certain a sequel, one that has snuck under the radar. Released this past week with very little hype or advertising it has sucked up hour after hour of my time.
Let me preface this review with an important message: I didn’t play The Surge. It has been sitting in my teetering tower of backlogged games for ages now and I just never found the time to get around to it. But when review code for The Surge 2 dropped into my inbox, I couldn’t say no to some challenging combat in a sci-fi environment. So this review won’t be talking about what The Surge 2 does better than The Surge 2. Instead, it’ll be about what The Surge 2 does right, and what it does wrong.