Although it’s a massive cliche to say so, playing Decay of Logos was a rollercoaster ride of emotions. The thing about a rollercoaster, though, is that you have to go up as much as you go down. Things must balance out. Decay of Logos, however, was like a rollercoaster that somehow defied the very laws of physics by having a lot more down than it did up. It’s easily the most annoying and downright infuriating game I’ve played this year. At one point I spent nearly 30-minutes yelling at an Elk, calling it all sorts of horrific names. I finished the game eventually, but I’m not sure if it was worth it.
Gibbous – A Cthulhu Adventure is another of those Kickstarter success stories that I love to hear about. It was Kickstarted back in 2016 and developed by a small team of three people from Transylvania, and is yet another example of how not every game needs to be aimed at the broadest audience possible. Gibbous knows what it is and who its for. But is it actually any good?
The history of Remedy starts waaaaay back in the days of slow motion diving. Yes, I’m talking about the Max Payne games which I first experienced at the tender age of way too young to be playing them. But thanks to my dad play them I did, and while I didn’t understand a word of what was going on I did understand the special magic that Remedy had created. Since then the company hasn’t lost its flair for creating unique things: just look at Alan Wake and Quantum Dream. They’ve struggled to release a big hit, though. Alan Wake did okay but never well enough to get a sequel, and Quantum Dream just sort of vanished into the ether. But Control could be different. This could be the big one.
I really love the idea behind games like Wolfenstein: Youngblood. Cheaper, smaller offshoots of the main series that let the developers play around with some ideas without having to create something quite so vast. Taken in that context, though, reviewing this smaller projects can be difficult because just how much should they be compared to their main series counterparts? Wolfenstein: Youngblood, after all, does do a lot different: new lead characters, co-op gameplay, RPG mechanics and a second developer in the form of Arkane, the folk responsible for Dishonored. There’s a lot to talk about, so let’s jump into it.
Space, the final frontier. These are the voyages of the Starship Butt Stallion. Its continuing mission to explore strange new worlds filled with potentially lucrative minerals, to seek out new life that can be conned out of some cash and new civilizations filled with new ways to earn a living, to boldly go where no one has gone before and blow everything up. Welcome to Rebel Galaxy Outlaw, it’s a bloody space jungle out there.
The human race can be a confusing species indeed. We merrily build powerful trucks designed to transport lots of cargo, and then for some reason decide to go racing with them, despite the fact that we also build incredible cars and bikes designed specifically to race. These trucks are so completely unsuitable for racing that their brakes literally attempt to self-destruct, and yet race them we do. Because humans are bloody stupid. We’re the same species that create energy drinks, slap on a warning that they shouldn’t be mixed with alcohol and then proceed to mix them with alkanol anyway. It’s a wonder we’ve actually made it this far. And that brings us to FIA European Truck Racing Championship, the officially licensed game of the real-life sport of racing things that shouldn’t be raced.
Let’s be perfectly honest with ourselves: humans are violent creatures with strong impulses toward physically damaging each other or anything within range. It’s one of the biggest reasons we’ve survived as long as we have and while we’ve certainly learned to control those violent tendencies they still lurk just under the surface. It’s not a surprise that VR games that let you unleash some rage in a healthy way have taken off. That’s where Gorn comes in, a brilliantly over-the-top brawler that lets you vent a little anger by ripping off heads.
Zombies just don’t go out of fashion, do they? I “reviewed” They Are Billions over a year ago when it was in Early Access. It was all about building up a chunky base to hold out against swarms of zombies and it proved rather promising. Now that They Are Billions has officially left Early Access it boasts a proper campaign mode, so does it live up to its own potential?
The first mission of Defector is like a glorious homage to every over-the-top spy movie to have ever appeared on a screen. There’s a handler feeding you information, a bad guy to converse with and then the possibility of driving a car out of a plane before leaping out and landing in a different plane. Oh, and then gunning down a bunch of fighter jets using nothing but an assault rifle because that’s how the real world works. It’s a bombastic introduction to Defector, but then the game never does manage to reach the same highs again. It’s perhaps no wonder that it was this first level which was shown off in the demos and previews.
The passing of time tends to erode a game. A lot of the time an old game we have fond memories of doesn’t feel so good when we dust it off and play it in 2019, which is understandable because of the technical limitations of the time. But there are some games whose gameplay mechanics are so damn refined, so bloody good that even today they feel amazing. As this remake proves Crash Team Racing Nitro-Fueled is one such game, a kart racing series that sadly fizzled out while Mario Kart carried on. But now its back with a fresh lick of paint and ready to take top spot on the podium.